Tag Archives: Life

Distortions

Photo from Distortion series by Andre Kertesz

Photo from Distortion series by Andre Kertesz

In a photo historical context, it is natural to place Kertész’s nudes in line with later experiments by Brassaï, Hans Bellmer and Paul Strand, wherein different forms of manipulation created distortions of forms.[…]

Kertész’s pictures can also be read as a comment on the space women occupy; a space which is completely destabilised due to the use of mirrors. Usually, we have no problem with identifying the physical frame around the body, but here it is not the body that is photographed, but the reflection of it in its physical surroundings. In that sense, one may argue that the pictures are not at all about the body, but about the disintegration of a spatial perception to which one has become accustomed. In that sense the pictures can be argued to have developed from the Cubists’ deconstructed and fragmented spaces. The ruling disorder becomes an attack on the endeavour to instil the human body in a lucid space, which provides it with a defined place. The body is, in Kertész’s photographs, transformed into an object we no longer have a firm grasp of; the body avoids us as a slippery bar of soap. Consequently, it escapes the kingdom of the gaze.

Pg. 9, ANDRÉ KERTÉSZ • DISTORTIONS

What an excellent interpretation of Andre Kertesz‘s innovative, seminal Distortion series. Women – and men, for that matter – certainly live in an inherently destabilized space. Consumerist-driven irrational social and gender constructs create this unhealthy, upside-down environment that has devastating effects on people.

In these works, the image is not about the subject itself – instead the focus is placed on the lens through which the subject is seen. This distorted manifestation becomes how the subject – in this case, ‘woman’ – is perceived, questioning the fragmentation that has occurred between a more authentic ‘reality’ and this final perception (distortion). The series points out how ‘true’ – real – these perceptions seen. Our fragmented, distorted view of women (‘woman’ as subject) seems organic when it is indeed not. Rather it is the result of myriad fragmented pieces haphazardly – yet meticulously and purposely – reconstructed by consumerist social constructs.

I highly recommend reading the write-up in its entirety if you are interested in learning more about Kertesz’s fantastic work in general or his Distortion series specifically.

#1 from Distortion series by Andre Kertesz

#1 from Distortion series by Andre Kertesz

Voici mon secret

“Voici mon secret. Il est très simple: on ne voit bien qu'avec le cœur. L'essentiel est invisible pour les yeux.” ― Antoine de Saint-Exupéry, Le Petit Prince

“Voici mon secret. Il est très simple: on ne voit bien qu’avec le cœur. L’essentiel est invisible pour les yeux.” 

Here is my secret. It is very simple. It is only with the heart that one can see rightly; What is essential is invisible to the eye.

– Antoine de Saint-Exupéry, Le Petit Prince [The Little Prince]

Hold on

Hold on

Hold on… to yourself, love, hopes, dreams, compassion, empathy, boundaries, truth, your heart

Let go… of fears, attachment, stories, negativity, unnecessary dust bunnies that linger in the mind

Relish… clouds floating by, with their perfect ephemeral state, perpetual change, and light beauty

Never bend your head. Always hold it high. Look the world straight in the eye. – Helen Keller

The Creative Empathy project

Exploring empathy and compassion through creative expression

Exploring empathy and compassion through creative expression

In Berlin I met a super great lady named Kate. Kate’s a funny, down-to-earth art curator (these words do not often go together) with a knack for hooking up creatives with the right projects. Noticing the empathy project section on my site, she wondered if I’d be interested in working with artist Carl Scrase on an online exhibition about empathy.

In the words of D’Angelo from The Wire – mos def!

The exhibition is in process, but I’ll talk a bit about my own personal, and long-term, creative empathy project in the meantime. Through my own learned experience, having empathy and compassion for oneself is the key to living a healthy and fulfilled life.. and to having the courage to grow into who you are. The idea is to take the projects ideas, make them your own, using them as a way to get in touch with how you’re feeling and expand creatively.

The basis for these projects is to practice ongoing empathy and compassion towards ourselves. By doing so, we will naturally be able to show more empathy and compassion towards others. The projects are geared for people who are kinesthetic and visual learners – those who learn mainly by doing and seeing. There is no right or wrong way to practice these projects. My guidelines are simply suggestions. ♥

Through different projects, we can practice empathy and creativity, learn about ourselves and expand our artistic practice.

Through different projects, we can practice empathy and creativity, learn about ourselves and expand our artistic practice.