Over the years, hundreds of documentaries have been made on colourful chaotic punk life. The best ones give us a look at the vulnerable, passionate people behind the hard-edged exterior. Penelope Spheeris’ The Decline of Western Civilization does this for LA’s early 80’s hardcore scene, while Joe Strummer: The Future is Unwritten shows an intimate view of the complex person behind one of the most influential punk bands ever. Yangon Calling, a film by German-based filmmakers Alexander Dluzak and Carsten Piefke, now adds to the list, offering a look at the challenges faced by punks living in the capital city of Myanmar. Filmed in 2011, just before the country began undergoing significant socio-political change as it switched to an open economy, the documentary explores this lesser-known side of the country…
One of my all-time favourite artists, Cindy Sherman, on Art21.
People think because it’s photography it’s not worth as much, and because it’s a woman artist, you’re still not getting as much – there’s still definitely that happening. I’m still really competitive when it comes to, I guess, the male painters and male artists. I still think that’s really unfair.
Some friends and strangers have kindly featured my artwork on their respective sites recently!
It’s really fun and a real honour to have other people interested in what you do. I feel grateful.
Hugs all around.
I’ll take this time also to invite you to sign up for my bi-monthly newsletter with art, photos, and short updates on whatever’s going on in KimLand. They’re short, sweet, and have a few colourful pics from wherever I am.
Below is my interview with Thai abstract artist Vichian Boonmeemak and his Chiang Mai art studio-meets-guesthouse, The Living Place. The article was published in Chiang Mai Mail November 4, 2012.
For more images, please click here!
Interview: Vichian Boonmeemak
The police have called twice so far. But that doesn’t stop the group of foreigners and Thais gathering together every Friday night at The Living Place to sate their desires for banging on bongos. In addition to drumming, these lively evenings consist of everything from nude modeling, body painting and dancing to homemade Thai food and drinks. With free entrance and cheap beer, The Living Place is a great place to chill, make music and meet free-spirited travelers and locals alike.
Anything goes and all are welcome. Painter Vichian Boonmeemak and his partner, artist Aresa Wuthanamassapong, have created a space that aims to collage together all aspects of passion-filled life: art, music, people, food, and performance. On constant display are works by both Vichian and Aree, rotated and changed frequently. These abstract and figurative works are bright and bold, ranging broadly in size. Small prints and cards sell for 30B and larger works are also for sale, priced accordingly.
Born in Northeast Thailand, in the Petchaboon province, Vichian, or “V” as his friends call him, is a talented and easy-going guy. He was kind enough to sit down with me to chat about The Living Place and share some of his insights about being an abstract painter in Thailand.
KB: What gave you and Aree the idea to open The Living Place?
VB: Well, we were looking for a warehouse to set up a studio in and we didn’t have any luck finding one. We had friends who had a guesthouse and the idea of combining everything happened. With painting, we combine everything – we do drawing, painting and collage. So with life we can do everything too.”
KB: How did the Friday nights originate?
VB: We started with jamming outdoors at Thapae gate. We were social there for a long time and we met so many people around the world. We met some great drummers and dancers who would come. One house around there reported the noise to the city and we got stopped by the cops. So we moved the jam into our own building and the drummers came to join it. Besides painting, we want to hang out and enjoy ourselves.
KB: What role does music play in your life?
VB: Music is a universal language to communicate. Sometimes we don’t have to use words; we just have to share the rhythm, share the harmony. Drums are a good thing. I want to do better so I need to have instruments and people who know drums around so that I can learn from them. Some who play here are very professional and they are great teachers. Sometimes the cops still come if it’s too loud. I think we’re going to do more independent stuff in our private space, like the life modeling.
KB: Can you recall when art first came into your life?
VB: As a child, I loved to do art, sculpture, drawing and painting. I’d paint everywhere, the door, the walls of the hosue. My parents let me be at the time. I used to go down to the river and pick up the clay and make sculptures. It’s amazing how it felt, what it did to me. I remember feeling really joyful. At the time, I was around 6 or 7, and since then I’ve always liked to draw.
KB: Did you parents support your artistic expression as you grew older?
VB: I grew up in a farm household. My parents were not artists. They supported me, but they knew what made money. They thought it would be good for me to be a forest ranger, policeman or doctor – whoever makes good money. I’m just not interested in that and I said I’m going to study art. There was nothing they could do, so they let me go. I came to Chiang Mai from Petchaboon to study art at a good school here. After that I went to art academy in San Francisco.
KB: What was your experience in San Francisco?
VB: Oh, I loved it. At first, I had a problem with the language, but I knew it was something I had to do. What I remember from the college is that they just let me work and find my own way of being. I noticed that I could focus a lot more when I was there. Maybe because I’m not local there, I have to pay more attention to what I’m doing.
KB: Many artists find it challenging to make a living. What has been your experience?
VB: Well, I’m still alive! I’m not afraid to have less or more. If I can do good work, if I’m satisfied with my work, I feel fulfilled. And that’s all. Everything else doesn’t matter. It’s nonsense. I don’t give importance to anything else.
KB: What inspires you as a painter?
VB: I like abstract and figurative work, both sides of it. I like spontaneous stuff, things that are unexpected. When I see work controlled by the mind, it does not inspire me. Every moment in painting is just like life, you are working on every moment. Each moment is lost and found, always continuing, always challenging. It’s not there forever. It’s good to work for that. That’s what I gain from the experience.
KB: Do you consider painting work or play?
VB: It’s creating. Work, yes, but I want to have fun from it. I’m searching for the joy in work, and to just enjoy it while I’m working. If I don’t enjoy it, I’m not going to do it.
It’s like meditation. When you get into at first, you are struggling for a bit to get into it. You are struggling with how to feel comfortable sitting in the posture and while you are working on that, you somehow get into another flowing energy. And that is what painting is like. You try and then suddenly you break through trying. That is the fun part, when you don’t care anymore. You are one with the flow and communicating on a higher level with the space and with everything.
KB: Do you find painting healing?
VB: Definitely. It helps to open your mind, your heart. It is what you ask for. You are confronted and challenged to break through barriers. I feel liberated and free to practice through the process, yes. Whatever painting can do, I want to live my life like that. It’s a very important metaphor. The truth seeker – when you find the truth in a painting, you learn and you live your life for that. So each technique, each expression, each spontaneous moment, you learn something from that. You need to practice and be able to get inspired to live life. You learn so much through practicing.
Often we get trapped in our mindsets and get the habit of correcting the world. But if your heart and act are one, the whole truth will come through the brushstroke. Your senses and body chemistry change when you contact through the work. This flowing energy will show in your work, it’s another language. Whatever your message, if you believe in something, it has to go through something to make a record of it. That is what painting is, or dance, or drumming, whatever your expression is.”
The Living Place: Opened recently in August 2012, this Chiang Mai guesthouse-meets-art studio hosts Friday evenings of music, dance and art, and provides a warm environment conducive to conversation, art creation and just being.
To stay at The Living Place, get in touch with Aree via Facebook
Location: 2/2Thapea Rd. Soi2, Muang Chiang Mai, Chiang Mai, Thailand 50300 Ph: 081 539 9676