Over the weekend, I had the privilege of photographing the We Women charity walk. A group of our supporters fund-raised and walked in solidarity to help improve Burma’s education system.
We Women is: “a foundation that strives to achieve equality for various groups of people in the world. The foundation assists women, refugees, ethnic minorities, and disadvantaged groups with their questions, struggles and needs, as they are formulated within their own terms. Academic research is the first step in this process because it helps to gain insight into local beliefs, practices and ambitions. The key areas of We women’s engagement include personal growth, social inclusion, (mental) health, education, and the encouragement of creative initiatives, with the ultimate goal of achieving equality for all.
Ursula Cats, super-woman and founder of We Women, is also a new mom. Taking care of Hugo, Skyping via phone with her We Women counterpart in Holland, and organizing the walk are just a few of the tasks she juggled on Saturday!
Two of my new favourite ladies! ❤
The rest of the pics are here. I love being inspired by people like these doing positive things. I feel really grateful for being around them. Food for the heart.
When I showed this photo to Ursula, she mentioned that it was her favourite of the bunch. Meanwhile, I was cringing since the sweet girl is totally out of focus. From the photo course I recently took, I know that one of the areas I need to work on is getting lots of angles and taking lots of shots to get the most honest expression. When I look at this image, I think: Nooooo! The focus is all off, her right hand is cut off, I needed to move back more, get it from a lower angle, give more space around her. It could’ve been a great photo!
But it’s awesome when the person who sees it still likes it because they might not even notice these things; all they might see is the shining smile radiating through. It reminds me of something Scorsese said about film-making in an old interview he did with John Favreau. He was talking about Casino, how he had to choose between two takes of an important emotional scene featuring Sharon Stone. It one take, Stone gave an incredibly emotive performance, but the camera’s focus was a bit off and the camera work was unintentionally shaky. In the other take, the camera work is technically perfect, but Stone’s performance is less vulnerable and raw. Scorsese chose to put the former in the film, because –for him– emotion wins out every time over technical. I’ve always thought that was a really nice lesson.
I’m looking forward to improving my photo work, but in the end it always comes down to the experience I have with the people I’m working with.